The Enduring Van Cliburn

The New York Times has some nice coverage of pianist Van Cliburn’s enduring popularity in Russia:

Legend says that Mr. Gilels was worried enough to approach Khrushchev about the American. “Is he the best?” Khrushchev is said to have asked, and when Mr. Gilels allowed that he was, Khrushchev said, “In this case, give him first prize.”

The mania for “Vanya” or “Vanushka,” as he came to be called, cut through all levels of Soviet society. A Russian violinist, Artur Shtilman, recalled the tremulous words of a janitor who said the performance had left her strangely transfixed: “This young man, really just a boy — he plays, and I sit and cry. I myself don’t know what is happening to me, because I have never listened to this music, and I simply cannot tear myself away.”

Despite the fact that Mr. Cliburn had no plans to play the piano on this visit [to Russia to serve on the jury of the International Tchaikovsky Competition], Yevgeniya Zalyashina traveled 120 miles from Tula to be present at all his appearances — which sometimes consisted of just walking into the concert hall. She was joined by a group of women who had met in 1958 while standing in line all night for tickets.

“You have to understand, people were talking about him on the bus, on the Metro,” said Lyudmila Avdushina, 73. “For us he was never a foreigner, he was one of ours.”

This prompted me to seek out YouTube footage of the performance of Rachmaninov’s 3rd Piano Concerto that won Cliburn the prize.

It’s an amazing performance. I was unprepared for how young Van Cliburn was; he’s almost cherubic. And those rubatos! I don’t think a performance like this would fly on the competition circut today.

The Van Cliburn

One of the ideas that has been hardest for me to accept is the idea that not everybody looks at music in the same way that I do. Still, it frustrates me a little bit when people have no curiosity about the centuries of music that have come before us. I mean, nobody would consider themselves an expert on music if they never listened to anything before 1983, so why are they ok with not listening to anything before 1950? or 1850, for that matter?

The fact of the matter is that in this new America, this new age, a lot of the class symbols are fraying into obsolescence. Classical music should no longer bee seen as the property of the wealthy class. All but the most expensive seats at the most elite orchestras are a fraction of the cost of any seats for, say, the Police reunion tour, or any Rolling Stones or Radiohead show. Really, the classical world is open to any who are curious enough to enter it.

In this spirit of exploration, I direct you to the webcast of the Van Cliburn International Piano Competition, streaming live from Dallas. The schedule and webcast is available free from www.cliburn.tv