Dumpling

Gentle reader, I find myself once again ill.

After dealing with pneumonia this winter, to feel so weakened by a simple cold feels like an insult. 

My grandmother was a great lover of talking about her illnesses. I found it very boring, so I’ll shut up now.

So, I guess I should be careful about shutting the door on a day before it’s finished. After yesterday’s perfunctory update, my sister chatted me which turned into an hour-and-a-half conversation about motivation, personal growth, what it means to finish things and finish things well, and explore some of the personal revelation/resolution territory that I’ve been in for the past week. We discussed Carol Dweck’s Mindset, which has been my jam over the last six months. It was strange to see her come at some of the same problems that I worried about as a student. I don’t think I’m that much further along in untangling my own human contradictions than she is, but it was interesting to hear her articulate ideas that I’ve had before but now think of as dead ends. For example, I no longer think about my own “motivation” or “laziness,” and tend to see my good and bad habits and desired and undesired behaviors as a product of feedback that feels good or other conditions. That’s really wordy: basically, I’ve stopped beating myself up about being lazy when there is another obvious explanation, like fear or lack of feedback, or lack of self-confidence. 

One of my goals for the new year was to work on the relationship I have with my brother and sister, and I am so happy that we are all talking right now.

I slept in and was a little late getting in to work in the morning. Our work phone has been down for three weeks—it’s so embarrassing that there seems to be no person in the whole organization with the combination of competence and authority to get a simple thing resolved—and I was so demoralized to be at work. It’s been a rough winter after a rough summer, and I have so little confidence in my workplace right now I’m starting to make myself crazy with how much I want a new job. As I was setting up the room for the day, I called my mom. I started to talk about where my head has been with trying to give myself room to dream of new possibilities (I know that’s all very vague, but I’m not yet ready to write even semipublicly about it yet). It ended up being a very raw and open conversation about some of the things that had happened to me as a teenager that made me a much more fearful person than the fearless child I had been. I got very emotional when she said to me that she thought that I deserved to go after what I wanted, to chase after dreams.

I got very excited about Portland’s first Dumpling Week. I’m still waiting to see if it’s going to be affordable, the only reason I could try Burger Week burgers is that prices were set at $5. One of the commenters on the Facebook announcement remarked on the fact that there were no restaurants east of 82nd on the list. [For out of towners, the area of Portland east of 82nd Avenue is where most of the recent Asian immigration has moved to.] At first, I resisted that critique, because its clearly an effort to support a fine dining scene, and it just doesn’t bother me that restaurants in a certain cost range, fanciness, and food aesthetic were selected to participate. At the same time, I thought about how the cruelty of this kind of appropriation is that the white majority sees a subcultural product/object/tradition/design, copies its most superficial aspects in a game of cultural telephone, then siphons away the profits from that subculture. But then I was thinking that a) the idea that any one culture could own a food form like the dumpling is ludicrous. b) the dumplings are just not the same. I understand wanting to identify with the romanticized family restaurant that’s making grandma’s dumplings and nobody cares and the big bad white haute cuisine restaurant across the river makes the same thing and everybody goes apeshit. But that’s not reality. The reality is that those restaurants have completely different ways of communicating about food, sourcing ingredients, presentation, restaurant design, and pretending like all that stuff isn’t important or meaningful is silly. Nevertheless, I’ve been thinking about it all day and don’t feel like I have an “answer.”

Speaking of race and culture, I was hit with two very interesting pieces that dealt with race and classical music in a way that made my soul hurt a little bit. The first was an essay on Wagner and anti-Semitism. I’ve never liked Wagner, there’s plenty of other composers to listen to, I find most of his aesthetic very creepy, and there’s something about his arrogance at claiming that all people must love his music that makes me resist it. Anyway, the choice that the essay tries to force is: either you believe that abstract music, just sound, has the ability to convey a spiritual message, in which case Wagner’s music itself, even that without words, is anti-semitic and abhorrent. Or, as much as we talk about why we love the music, music is incapable of carrying that kind of message and to speak of it as though it is is deceptive/cultish. Read it, if any of that sounds interesting. The second was a Jezebel post about a black woman that had a racist interaction with an older white patron at the Met during a production of Aida. The interaction, whatever. Racist, and shameful that she got no support from the ushers, but racist individuals can be rude anywhere. The part that broke my heart was that she is so completely right about the racist casting conventions of major opera houses. They are decades behind film and TV, neither of which are particularly good at imagination and casting or representation. The other thing that upset me is that if that happened to me, I would never go back.

Work was fine. I lost steam throughout the day, and by the end of the day I was completely burnt out from feeling sick. I got home and downloaded a bunch of new music to listen to, but mostly just dozed. Hopefully tomorrow isn’t too bad.

Tabor

Sunday

Lazy morning. Started watching Transparent. Long afternoon walk to Tabor Park and up to the reservoirs. Menudo & ensalada de nopales from that big mexican supermarket on 174th and Division. Finished the first season of Transparent. Had a nice chat with my sister while watching Tinker Tailor Soldier Spy.

Monday

Went to optometrists’ with L, found out my eyeglasses insurance is probably garbage. Surprise visit from high school friend T, we hung out in the park for a bit, then had delicious dinner at Pambiche. Dreading finishing up the work I need to do to be ready for tomorrow.

Lasagne

I was planning on spending my morning helping my friend A move furniture, but she cancelled on me, which was so much the better because I turned out to have a hangover after Friday night.


I got breakfast with RS at a family diner—because most of my social set is 20somethings with extremely narrow backgrounds and interests, being in a dining room with a mixture of young people, families with kids, all the way up to elderly couples getting weekend breakfast, can seem like a human kaleidoscope of overstimulation. It was nice to catch up with him, I’m behind on bills right now and it makes me feel weird to talk to him when that’s the elephant in the room. 

I honestly cannot remember what I did yesterday afternoon, which is a terrible sign of something.

I’ve been thinking more about starting an Artist’s Way group, and I decided that I wanted to have a real copy of the book, instead of the shitty pirated ebook that I’ve been reading. I went over to the Hawthorne Powell’s to buy it and use up the gift card I got from exchanging books the last time I went. It’s incredible how shame works. As I was poking around Self Help—General looking for my book, I was flashing back to trips to Barnes and Noble when I was a teenager, trying to quickly browse the Gay and Lesbian shelf (shelf!). It was in the section near the history and biography sections, a plausible interest of mine, and I figured I had about 90 seconds at a time to browse. Anyway, I couldn’t find a copy right away and I new they had them in stock, but I ended up having to ask somebody that works there to help me. I felt as nervous asking him as 18 year old me would have been to ask for The Joy of Gay Sex or something. I also picked up a copy of Vanity Fair which turns out to be a much longer novel than I thought. 

After getting back from Powells, I made some plans to have dinner with my friend RC. I was happy to have a few minutes to catch up with L, but her boyfriend was over. I was briefly overcome with such an angry irritation at his presence, so I decided to give them both a wide berth because it wasn’t really their fault and I was being petulant. 

RC’s many virtues is that she has a true lack of judgement and true unconditional acceptance, so I felt like I could share some of the new headspace I’ve been in since Wednesday. I felt comfortable enough to share some of the stuff that’s in my artistic journal, which is starting to take shape and form and growing into a real work of art. We got into a long and emotional conversation about the way that we mediate ourselves in order to conform to expectations when other people have power over our lives. It was a good talk, a real talk. 

After dinner, I was really full and a little bit sleepy. I decided that all I wanted to do was really listen to music. I listened to Sun Structures by Temples. It’s neo-psychedelic rock, kind of sipping the same juice as Tame Impala, with the gauzy veils of reverb of Fleet Foxes. I liked it fine, I love it when bands have that almost neo-classical impulse to make interesting music and not just try and distinguish themselves with production gimmicks. At the same time, it’s such a retro project that it can be hard to figure out what a good or bad song would be in context. 

After that, I listened to The Voyager by Rilo Kiley frontwoman Jenny Lewis. I enjoyed these songs a lot, to the point of not wanting to be too critical or pick them apart. The songs are really personal, and I don’t feel like I have too many experiences in common yet, but I can appreciate their artistry. I’m a huge fan of Fleetwood Mac, and I felt like I heard a lot of them in this.

Once I caught my second wind, I went on a tear, just playing piano with the kind of reckless abandon and joy at hearing my own sounds that used to keep me occupied for hours as a child. At some point, I became so focused on making sure that my practice times were productive and focused that I lost that spirit. I became a lot more focused on making sure I sounded good and wasn’t repeating myself into cliché. I don’t think that’s all wrong—I certainly want to get better and make sure that the time I am putting in is useful time!—but I think I’m coming to understand that the time when I can just sit back and enjoy the sounds I’m making are the embers that keep my fire alive. All of the time I spend trying to stoke myself up without giving those embers oxygen is a waste of time and effort.

I decided to go out and hear JP deejay at a bar at midnight. He’s been letting me into movies free at the theater he works at. It turned out to be kind of a bummer, and I left as soon as I finished my drinks.

As I fell asleep, I watched an excellent Taiwanese gay movie called Will You Still Love Me Tomorrow. It’s kind of a cross between Punch Drunk Love and Far From Heaven, a deliberately stylized and retro, with a little bit of a old Hollywood movie musical/Technicolor aesthetic. It’s a very controlled movie, never breaks into laugh out loud funny or anything, but some good performances, and a lot better than the average shitty gay movie I fall asleep to on a Saturday night. 

 

Penny

Yesterday was a pretty strange day.

I was up late on Thursday, so I felt like shit when I had to wake up early to get to a training day at our club in Lents. 

Our training days are always terrible and useless, so I took the opportunity to get out my notebook and work on some of the exercises from Julia Cameron’s The Artist’s Way. The exercise that I was working on was to think of the events and incidents in my childhood where I felt shame as a result of sharing my creativity. By coincidence, I was just listening to an episode of the podcast Sex, Death, and Money featuring filmmaker Desiree Akhavan. She talked about the humiliating experience of discovering that she had been voted ugliest girl at her school in a poll of her classmates, and using that experience as the material for her first one-woman show in college. She talked about how shaping this raw and depersonalizing experience into a narrative that she was in control of in her art was an empowering experience. I got a little taste of that yesterday, as I discovered that living inside those painful memories of childhood—kids in my second grade class avoiding me after performing on the piano one day, having an uncle take me aside and try and explain to me the difference between a “hobby” and a “career”—was not as painful to me as a child, and the way that my adult sense of outrage and mistreatment and anger retroactively protects and shows compassion to my child self. 

The only thing that happened during the training that is worth capturing is an exchange that I had with A, one of our arts staff. I responded to a question by saying that, “I have a tendency, as a person, to be jaded.” And her response was basically, no shit. She said that she really enjoyed my sense of humor, my sarcasm and irony and cynicism. It kind of threw me for a loop, because that is a part of myself and my personality that I have a very love/hate relationship with right now. I like having a sense of humor. I like having my sense of humor. But I’ve also been working on tempering my reflexive sarcasm, because I’m starting to move towards working on things where I need to have people believe and trust in my sincerity, and that’s hard to ask of people when they think that you’re bullshitting all the time. 

After the training sessions, we walked over to the New Copper Penny to present an award of recognition to property owner and supporter Saki Tzantarmas. I used to live in Lents, and the NCP always looked like a sketchy piece of shit from the outside. It turned out to be exactly that on the inside. Saki has been in the news recently, and it was super weird to be there and a little uncomfortable because I wasn’t quite sure that we were on the right side of how to bring back life to that neighborhood (the truth is that I don’t think Lents will ever come back as long as Foster and Woodstock bring so much traffic through the district). The awards ceremony turned into a surprise new year’s banquet, but the patronizing and weirdly aggressive tone that the leadership team had taken to communicate to us that we wouldn’t be taking a lunch break was so frustrating and offputting, that it took away a lot of the fun that could have been had. 

After work, I crashed at home for a little bit. I was bone tired after that day.

I headed out to bars on Williams/Mississippi with L and her boyfriend and his friends. I’m very picky sometimes, and the whole evening I was irrationally judgey about all of the yuppie motherfuckers and their money that I saw everywhere. I’m just stressed about cashflow. 

I had a good time. Once we went back to one of the friend’s apartments to sober up a little bit, we got caught up in a philosophical argument about existence, and whether there may be something on a level of existence that we could never measure, or observe, or prove. I was arguing this to a roomful of science people, so I had fun.

Once I got back home I fell asleep almost instantly and slept as one who is dead.

palak

Today—yesterday—was a wonderful day! Which are the hardest to write about, because one wants to sit back and watch the dying embers of joy, not try and capture them and risk destroying what remains of the feeling.

Spent most of my day thinking and processing the implications of my session with J last night. Read through most of Julia Cameron’s The Artist’s Way, and I think I’m going to put together a group to go through it and have some peer accountability. Spent some time listening to Ahmad Jamal, who is somebody that I’m going to have to listen to a lot more of. [The throughline, if you’ve been playing at home, has been: Lana Del Rey to The Byrds to John Coltrane to Ahmad Jamal]

I had to watch teens today. It makes me nervous being around them because of how hard they are trying to figure out what the fuck is going on and how much power they have to be cruel to each other. I can’t look at myself with the same compassion yet, maybe some day.

I stopped by the food carts on Hawthorne for some palak paneer fries at Potato Champion. They’re my favorites. I shouldn’t have spent the money, but when I’m hungry after work is literally the point in the day when I have the least willpower. I would agree to anything, like the Godfather on his daughter’s wedding day.

Afterwards, I went over to J’s studio to jam for a little bit. It’s been really hard to find time for us to play together, and I’ve been dying. It’s taken me a long time to be comfortable accepting that he genuinely likes playing with me, and to not be afraid to take real pleasure in the music we make together and the compliments he gives me about my playing. We complement each other well, and both of us have some envy of the skills of the other.

Afterwards, we went to a little restaurant/wine bar in NW and J had a little food while I had coffee and we had a long conversation about being musicians and artists and the project of figuring ourselves out. It was a conversation that was so white hot with truth & vulnerability & honesty & love & ambition & want &