Sick

This is one of those unfortunate times where I’ve missed a few days and plenty has happened worthy of reflection and I’m not going to do any of it or fill in the gaps because I’ve just got to move forward.

I woke up late but feeling fairly well. I mostly played GTA all day because that’s where my energy has been at. Had a nice dinner with H. Right now I’m trying to figure out how I’m going to make it through work tomorrow—I’m well enough to work but sick enough (pneumonia is back!) that it’s going to suck.

Jonathan

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Matt, then and now. 2010 to 2014

Today was a very emotional day. I had my last session with my amazing therapist, Jonathan.

When I was a junior in college, one of my roommates pestered me into coming to a campus gay group. I was out as gay, but not really out in the world, and I immediately loved that space where I could be myself and talk openly without having to filter myself. Jonathan was the staff facilitator of that group, and I loved his hands off way of talking to us, and openness to whatever crazy shit we said.

That was the year that I ran off the rails, and bouts of melancholy turned into deep clinical depression for the first time. I knew that I needed help, and tried the college’s mental health services, but I got a very green therapist that was right off the school, and after a couple of visits I knew that I would not get to a point of trust with that person. A couple of months later, it was clear that I wasn’t going to be able to return to school the next year, and I was very depressed and very scared about the next year. That fall, I reached out to Jonathan because I knew he also had a private practice.

I was glad that he was able to see me, because he certainly had his work cut out for him. I had dead eyes. The first four or five sessions I spent crying nearly the whole hour. Over the next few months, we started building nearly all of the tools that I use to function as an adult. I have no way of knowing for sure, but I suspect that I owe him my life.

Over the next year, he was with me through part of the school year, and over time I became more confident in my ability to keep myself on an even keel. I was happy to decide that it was time to take a break from therapy.

I came back to him a few months ago as I was experiencing a lot of changes. I finally felt like it was time to work on some subtler and deeper demons, and work towards building myself a more meaningful and fulfilling life. I’ve been so grateful to have his help, and that he has been by my side as I’ve done things I thought I couldn’t do and become someone that is unrecognizable to the person I was.

Thank you.

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Dumpling

Gentle reader, I find myself once again ill.

After dealing with pneumonia this winter, to feel so weakened by a simple cold feels like an insult. 

My grandmother was a great lover of talking about her illnesses. I found it very boring, so I’ll shut up now.

So, I guess I should be careful about shutting the door on a day before it’s finished. After yesterday’s perfunctory update, my sister chatted me which turned into an hour-and-a-half conversation about motivation, personal growth, what it means to finish things and finish things well, and explore some of the personal revelation/resolution territory that I’ve been in for the past week. We discussed Carol Dweck’s Mindset, which has been my jam over the last six months. It was strange to see her come at some of the same problems that I worried about as a student. I don’t think I’m that much further along in untangling my own human contradictions than she is, but it was interesting to hear her articulate ideas that I’ve had before but now think of as dead ends. For example, I no longer think about my own “motivation” or “laziness,” and tend to see my good and bad habits and desired and undesired behaviors as a product of feedback that feels good or other conditions. That’s really wordy: basically, I’ve stopped beating myself up about being lazy when there is another obvious explanation, like fear or lack of feedback, or lack of self-confidence. 

One of my goals for the new year was to work on the relationship I have with my brother and sister, and I am so happy that we are all talking right now.

I slept in and was a little late getting in to work in the morning. Our work phone has been down for three weeks—it’s so embarrassing that there seems to be no person in the whole organization with the combination of competence and authority to get a simple thing resolved—and I was so demoralized to be at work. It’s been a rough winter after a rough summer, and I have so little confidence in my workplace right now I’m starting to make myself crazy with how much I want a new job. As I was setting up the room for the day, I called my mom. I started to talk about where my head has been with trying to give myself room to dream of new possibilities (I know that’s all very vague, but I’m not yet ready to write even semipublicly about it yet). It ended up being a very raw and open conversation about some of the things that had happened to me as a teenager that made me a much more fearful person than the fearless child I had been. I got very emotional when she said to me that she thought that I deserved to go after what I wanted, to chase after dreams.

I got very excited about Portland’s first Dumpling Week. I’m still waiting to see if it’s going to be affordable, the only reason I could try Burger Week burgers is that prices were set at $5. One of the commenters on the Facebook announcement remarked on the fact that there were no restaurants east of 82nd on the list. [For out of towners, the area of Portland east of 82nd Avenue is where most of the recent Asian immigration has moved to.] At first, I resisted that critique, because its clearly an effort to support a fine dining scene, and it just doesn’t bother me that restaurants in a certain cost range, fanciness, and food aesthetic were selected to participate. At the same time, I thought about how the cruelty of this kind of appropriation is that the white majority sees a subcultural product/object/tradition/design, copies its most superficial aspects in a game of cultural telephone, then siphons away the profits from that subculture. But then I was thinking that a) the idea that any one culture could own a food form like the dumpling is ludicrous. b) the dumplings are just not the same. I understand wanting to identify with the romanticized family restaurant that’s making grandma’s dumplings and nobody cares and the big bad white haute cuisine restaurant across the river makes the same thing and everybody goes apeshit. But that’s not reality. The reality is that those restaurants have completely different ways of communicating about food, sourcing ingredients, presentation, restaurant design, and pretending like all that stuff isn’t important or meaningful is silly. Nevertheless, I’ve been thinking about it all day and don’t feel like I have an “answer.”

Speaking of race and culture, I was hit with two very interesting pieces that dealt with race and classical music in a way that made my soul hurt a little bit. The first was an essay on Wagner and anti-Semitism. I’ve never liked Wagner, there’s plenty of other composers to listen to, I find most of his aesthetic very creepy, and there’s something about his arrogance at claiming that all people must love his music that makes me resist it. Anyway, the choice that the essay tries to force is: either you believe that abstract music, just sound, has the ability to convey a spiritual message, in which case Wagner’s music itself, even that without words, is anti-semitic and abhorrent. Or, as much as we talk about why we love the music, music is incapable of carrying that kind of message and to speak of it as though it is is deceptive/cultish. Read it, if any of that sounds interesting. The second was a Jezebel post about a black woman that had a racist interaction with an older white patron at the Met during a production of Aida. The interaction, whatever. Racist, and shameful that she got no support from the ushers, but racist individuals can be rude anywhere. The part that broke my heart was that she is so completely right about the racist casting conventions of major opera houses. They are decades behind film and TV, neither of which are particularly good at imagination and casting or representation. The other thing that upset me is that if that happened to me, I would never go back.

Work was fine. I lost steam throughout the day, and by the end of the day I was completely burnt out from feeling sick. I got home and downloaded a bunch of new music to listen to, but mostly just dozed. Hopefully tomorrow isn’t too bad.

Tabor

Sunday

Lazy morning. Started watching Transparent. Long afternoon walk to Tabor Park and up to the reservoirs. Menudo & ensalada de nopales from that big mexican supermarket on 174th and Division. Finished the first season of Transparent. Had a nice chat with my sister while watching Tinker Tailor Soldier Spy.

Monday

Went to optometrists’ with L, found out my eyeglasses insurance is probably garbage. Surprise visit from high school friend T, we hung out in the park for a bit, then had delicious dinner at Pambiche. Dreading finishing up the work I need to do to be ready for tomorrow.

Lasagne

I was planning on spending my morning helping my friend A move furniture, but she cancelled on me, which was so much the better because I turned out to have a hangover after Friday night.


I got breakfast with RS at a family diner—because most of my social set is 20somethings with extremely narrow backgrounds and interests, being in a dining room with a mixture of young people, families with kids, all the way up to elderly couples getting weekend breakfast, can seem like a human kaleidoscope of overstimulation. It was nice to catch up with him, I’m behind on bills right now and it makes me feel weird to talk to him when that’s the elephant in the room. 

I honestly cannot remember what I did yesterday afternoon, which is a terrible sign of something.

I’ve been thinking more about starting an Artist’s Way group, and I decided that I wanted to have a real copy of the book, instead of the shitty pirated ebook that I’ve been reading. I went over to the Hawthorne Powell’s to buy it and use up the gift card I got from exchanging books the last time I went. It’s incredible how shame works. As I was poking around Self Help—General looking for my book, I was flashing back to trips to Barnes and Noble when I was a teenager, trying to quickly browse the Gay and Lesbian shelf (shelf!). It was in the section near the history and biography sections, a plausible interest of mine, and I figured I had about 90 seconds at a time to browse. Anyway, I couldn’t find a copy right away and I new they had them in stock, but I ended up having to ask somebody that works there to help me. I felt as nervous asking him as 18 year old me would have been to ask for The Joy of Gay Sex or something. I also picked up a copy of Vanity Fair which turns out to be a much longer novel than I thought. 

After getting back from Powells, I made some plans to have dinner with my friend RC. I was happy to have a few minutes to catch up with L, but her boyfriend was over. I was briefly overcome with such an angry irritation at his presence, so I decided to give them both a wide berth because it wasn’t really their fault and I was being petulant. 

RC’s many virtues is that she has a true lack of judgement and true unconditional acceptance, so I felt like I could share some of the new headspace I’ve been in since Wednesday. I felt comfortable enough to share some of the stuff that’s in my artistic journal, which is starting to take shape and form and growing into a real work of art. We got into a long and emotional conversation about the way that we mediate ourselves in order to conform to expectations when other people have power over our lives. It was a good talk, a real talk. 

After dinner, I was really full and a little bit sleepy. I decided that all I wanted to do was really listen to music. I listened to Sun Structures by Temples. It’s neo-psychedelic rock, kind of sipping the same juice as Tame Impala, with the gauzy veils of reverb of Fleet Foxes. I liked it fine, I love it when bands have that almost neo-classical impulse to make interesting music and not just try and distinguish themselves with production gimmicks. At the same time, it’s such a retro project that it can be hard to figure out what a good or bad song would be in context. 

After that, I listened to The Voyager by Rilo Kiley frontwoman Jenny Lewis. I enjoyed these songs a lot, to the point of not wanting to be too critical or pick them apart. The songs are really personal, and I don’t feel like I have too many experiences in common yet, but I can appreciate their artistry. I’m a huge fan of Fleetwood Mac, and I felt like I heard a lot of them in this.

Once I caught my second wind, I went on a tear, just playing piano with the kind of reckless abandon and joy at hearing my own sounds that used to keep me occupied for hours as a child. At some point, I became so focused on making sure that my practice times were productive and focused that I lost that spirit. I became a lot more focused on making sure I sounded good and wasn’t repeating myself into cliché. I don’t think that’s all wrong—I certainly want to get better and make sure that the time I am putting in is useful time!—but I think I’m coming to understand that the time when I can just sit back and enjoy the sounds I’m making are the embers that keep my fire alive. All of the time I spend trying to stoke myself up without giving those embers oxygen is a waste of time and effort.

I decided to go out and hear JP deejay at a bar at midnight. He’s been letting me into movies free at the theater he works at. It turned out to be kind of a bummer, and I left as soon as I finished my drinks.

As I fell asleep, I watched an excellent Taiwanese gay movie called Will You Still Love Me Tomorrow. It’s kind of a cross between Punch Drunk Love and Far From Heaven, a deliberately stylized and retro, with a little bit of a old Hollywood movie musical/Technicolor aesthetic. It’s a very controlled movie, never breaks into laugh out loud funny or anything, but some good performances, and a lot better than the average shitty gay movie I fall asleep to on a Saturday night.