Circe ፧ Madeline Miller

Circe, by Madeline Miller. Buy it from Powells.

The highest praise I can give to Circe is to simply describe, simply and without exaggeration, how I felt when I finished the book. It felt like a heavy weight on my chest, and like every feeling of loneliness and powerlessness and fear had been dug up from the deep places I had tried to bury them in. I put the book down and immediately headed out into the rain to walk to a bar to be around people and to connect to my own worry-worn rosary made up of clichés like we met and talked all night and I took one look and knew they were the one.

That’s what happened.

Circe, whose “official story” as a sexually tempting sea-witch is contained in a brief interlude in The Odyssey, is born as one of the least powerful immortals. Her family is not kind to her, and although she has a powerful father, this does not give her protection. Instead, it makes her a particularly vulnerable (easy to use) pawn in a game in which she has no place and cannot win. Things happen to her, she learns lessons. Ultimately, she has to choose between listening to what everyone around her tells her is her place, or, taking the lonely road of learning to listen and trust herself, and therefore discover her own power.

I saw a lot of myself in Circe’s story. Although it turns out that, seen with hindsight and self-confidence, there was less to fear than I believed, I too felt different and removed from my family. But there is only so much kinship with Circe I can claim, because a lot of the emotional dynamics explored in this book involve family abuse and the violence that men enact on women. Madeline Miller writes in this wonderful, poetic register that is often punctuated by beautiful aphorisms, and they resonate, of course, not because Circe’s experience is so extraordinary but because it’s so common.

As a confused high-schooler, I took Latin classes, and as a confused young adult I chose a college that put a big emphasis on studying “the Classics.” Homer’s world of wars and gods and glory and vengeance never came alive to me for two reasons: I was not a good student and spent no time completing reading assignments, and because the whole toxic-masculinity template, this foundational ethos that fueled scores of empires great and small seemed so stupid. Who can kill the most people is a question like who can run the fastest or who can lift the heaviest thing: useful to know in limited contexts but not very useful to most parts of life and definitely a poor indicator of divine favor or ruling authority. What Miller does so well is take the same stories (dominant, masculine, exterior focused), and retell them through the eyes of the other, who is usually left out of the tale (inferior, feminine, interior focused). It’s a wonderful way of queering the text: reading Homer with the values that his culture tried their best to suppress. I may or may not return to the Iliad or Odyssey, but even if I do I imagine it will be Miller’s Circe, Miller’s Achilles, Miller’s Agamemnon, that will be the “real” versions of the character to me, not Homer’s. I hope that is the sweetest victory of all.

Bi: Notes for a Bisexual Revolution | Shiri Eisner

There is a shelf on the third floor of Central Library in downtown Portland. It contains all of the nonfiction books specifically about bring queer: books about raising your gay teenager, coming out in later life, how to support your partner who is transitioning, and about four books on bisexuality. I have never done anything in my life without reading a book about it first, so I picked out the most relevant of those four books, which was Bi: Notes for a Bisexual Revolution.

It turns out that Bi has everything to do with why there are only four books on that shelf. Shiri Eisner has put together a book that discusses the particular political, economic, and social marginalization experienced by bisexual people—distinguished from the experience of gay, lesbian, and straight people (“monosexuals,” in her terminology). Eisner starts by describing how bisexual can be a radically inclusive term for all sorts of people that experience attraction to more than one gender, then goes through the myths, stereotypes, and stigmas attached to bisexual people. Next, Eisner examines how bisexual identity intersects with sexist and racist axes of oppression, then proposes this vision of a radical bisexuality that inherently destabilizes patriarchy and gender based oppression.

Whew!

There is a lot of material in this book, and because of the jargon-bordering-academic language it uses, the tedious and repetitious disclaimers of privilege, and activist-y eye rolls at global capitalism and the police state, I would say that it’s more of a reference than a book to read front to back. I did appreciate the thoroughness of the work, and I have to admit to a certain bias against radical and activist thinking that sometimes provokes me into greater critical thinking and sometimes makes me churlishly dismissive.

Unfortunately, I was also turned off by some methodological loosey-goosey and an inconsistent analytical lens that made it seem like polemic. For example, a lot of Eisner’s evidence for the argument that bisexuals experience worse health economic etc. outcomes is based on a single set of demographic data. That’s certainly not Eisner’s fault—she argues persuasively that bisexuals are an understudied group of people. But in another part of the book, she points out that because this data set is based on self-reported categories, it dramatically under-represents the group within bisexuals that would have the best outcomes due to other kinds of privilege, namely cis bisexual men.

Whatever gripes I might have with the rigor of some of her evidence, I also have to admit that despite coming in with a lot of skepticism, Eisner ended up convincing me that there is a unique stigma attached to bisexual people, and I came to understand why she considered bisexuals and their relationships as a battlefield of patriarchy and queer liberation.

And yet, I did end up walking away a little disappointed. I was still looking for some idea of what the specific bisexual experience of the world is. My gay identity was built not only from crushes and eyes averted and inconvenient erections and hot shame, but also from books and poetry and movies and narratives and testimony and role models. And a lot of that just isn’t out there for bisexual men—or at least I might have to keep working to find it.

Bi: Notes for a Bisexual Revolution | Shiri Eisner

There is a shelf on the third floor of Central Library in downtown Portland. It contains all of the nonfiction books specifically about bring queer: books about raising your gay teenager, coming out in later life, how to support your partner who is transitioning, and about four books on bisexuality. I have never done anything in my life without reading a book about it first, so I picked out the most relevant of those four books, which was Bi: Notes for a Bisexual Revolution.

It turns out that Bi has everything to do with why there are only four books on that shelf. Shiri Eisner has put together a book that discusses the particular political, economic, and social marginalization experienced by bisexual people—distinguished from the experience of gay, lesbian, and straight people (“monosexuals,” in her terminology). Eisner starts by describing how bisexual can be a radically inclusive term for all sorts of people that experience attraction to more than one gender, then goes through the myths, stereotypes, and stigmas attached to bisexual people. Next, Eisner examines how bisexual identity intersects with sexist and racist axes of oppression, then proposes this vision of a radical bisexuality that inherently destabilizes patriarchy and gender based oppression.

Whew!

There is a lot of material in this book, and because of the jargon-bordering-academic language it uses, the tedious and repetitious disclaimers of privilege, and activist-y eye rolls at global capitalism and the police state, I would say that it’s more of a reference than a book to read front to back. I did appreciate the thoroughness of the work, and I have to admit to a certain bias against radical and activist thinking that sometimes provokes me into greater critical thinking and sometimes makes me churlishly dismissive.

Unfortunately, I was also turned off by some methodological loosey-goosey and an inconsistent analytical lens that made it seem like polemic. For example, a lot of Eisner’s evidence for the argument that bisexuals experience worse health economic etc. outcomes is based on a single set of demographic data. That’s certainly not Eisner’s fault—she argues persuasively that bisexuals are an understudied group of people. But in another part of the book, she points out that because this data set is based on self-reported categories, it dramatically under-represents the group within bisexuals that would have the best outcomes due to other kinds of privilege, namely cis bisexual men.

Whatever gripes I might have with the rigor of some of her evidence, I also have to admit that despite coming in with a lot of skepticism, Eisner ended up convincing me that there is a unique stigma attached to bisexual people, and I came to understand why she considered bisexuals and their relationships as a battlefield of patriarchy and queer liberation.

And yet, I did end up walking away a little disappointed. I was still looking for some idea of what the specific bisexual experience of the world is. My gay identity was built not only from crushes and eyes averted and inconvenient erections and hot shame, but also from books and poetry and movies and narratives and testimony and role models. And a lot of that just isn’t out there for bisexual men—or at least I might have to keep working to find it.

Wonderblood | Julia Whicker

Cover of Wonderblood by Julia Whicker.
Wonderblood cover.

Faith, reason, morality, progress all come into conflict under the shadow of the launch tower at Cape Canaveral! Kings, magicians, doctors, executioners, all bound to their own arcane rituals. A girl appears just like in a prophecy. And then a new bright light appears in the sky.

I really did not care for this book. Whicker has imagined a world where mad cow disease has led to a societal collapse, and after thousands of years, people in the United States have devolved into followers of mystic religions that believe in blood sacrifice to bring about the return of the space shuttles, which will save the world.

You have to invest a lot in this setting to get anything out of the book–which is another way of saying that the plot, character, and prose style didn’t do much for me–and so much of the setting didn’t make any sense. Whicker clearly loved this idea of a medieval/feudal world that has adopted NASA as its religious symbols, but never quite explains how that could have come about. Yes, there is prion disease and societal breakdown, but how are there artifacts from the 20th century but no city ruins? Given what we know about how tribalism forms in times of scarcity, is it really plausible that no characters notice each others skin colors? For that matter, in Florida of all places, why does everybody speak English?

For that matter, Whicker doesn’t have very much respect for medieval knowledge either. In an interview with The Qwillery, Whicker mentions being inspired by figures like Johannes Kepler and Tycho Brahe and yet none of that seems to have made it onto the page, except in cutesy character names.

I’d suggest skipping this book and watch Waterworld instead.

Wonderblood | Julia Whicker

Cover of Wonderblood by Julia Whicker.
Wonderblood cover.

Faith, reason, morality, progress all come into conflict under the shadow of the launch tower at Cape Canaveral! Kings, magicians, doctors, executioners, all bound to their own arcane rituals. A girl appears just like in a prophecy. And then a new bright light appears in the sky.

I really did not care for this book. Whicker has imagined a world where mad cow disease has led to a societal collapse, and after thousands of years, people in the United States have devolved into followers of mystic religions that believe in blood sacrifice to bring about the return of the space shuttles, which will save the world.

You have to invest a lot in this setting to get anything out of the book–which is another way of saying that the plot, character, and prose style didn’t do much for me–and so much of the setting didn’t make any sense. Whicker clearly loved this idea of a medieval/feudal world that has adopted NASA as its religious symbols, but never quite explains how that could have come about. Yes, there is prion disease and societal breakdown, but how are there artifacts from the 20th century but no city ruins? Given what we know about how tribalism forms in times of scarcity, is it really plausible that no characters notice each others skin colors? For that matter, in Florida of all places, why does everybody speak English?

For that matter, Whicker doesn’t have very much respect for medieval knowledge either. In an interview with The Qwillery, Whicker mentions being inspired by figures like Johannes Kepler and Tycho Brahe and yet none of that seems to have made it onto the page, except in cutesy character names.

I’d suggest skipping this book and watch Waterworld instead.