Dumpling

Gentle reader, I find myself once again ill.

After dealing with pneumonia this winter, to feel so weakened by a simple cold feels like an insult. 

My grandmother was a great lover of talking about her illnesses. I found it very boring, so I’ll shut up now.

So, I guess I should be careful about shutting the door on a day before it’s finished. After yesterday’s perfunctory update, my sister chatted me which turned into an hour-and-a-half conversation about motivation, personal growth, what it means to finish things and finish things well, and explore some of the personal revelation/resolution territory that I’ve been in for the past week. We discussed Carol Dweck’s Mindset, which has been my jam over the last six months. It was strange to see her come at some of the same problems that I worried about as a student. I don’t think I’m that much further along in untangling my own human contradictions than she is, but it was interesting to hear her articulate ideas that I’ve had before but now think of as dead ends. For example, I no longer think about my own “motivation” or “laziness,” and tend to see my good and bad habits and desired and undesired behaviors as a product of feedback that feels good or other conditions. That’s really wordy: basically, I’ve stopped beating myself up about being lazy when there is another obvious explanation, like fear or lack of feedback, or lack of self-confidence. 

One of my goals for the new year was to work on the relationship I have with my brother and sister, and I am so happy that we are all talking right now.

I slept in and was a little late getting in to work in the morning. Our work phone has been down for three weeks—it’s so embarrassing that there seems to be no person in the whole organization with the combination of competence and authority to get a simple thing resolved—and I was so demoralized to be at work. It’s been a rough winter after a rough summer, and I have so little confidence in my workplace right now I’m starting to make myself crazy with how much I want a new job. As I was setting up the room for the day, I called my mom. I started to talk about where my head has been with trying to give myself room to dream of new possibilities (I know that’s all very vague, but I’m not yet ready to write even semipublicly about it yet). It ended up being a very raw and open conversation about some of the things that had happened to me as a teenager that made me a much more fearful person than the fearless child I had been. I got very emotional when she said to me that she thought that I deserved to go after what I wanted, to chase after dreams.

I got very excited about Portland’s first Dumpling Week. I’m still waiting to see if it’s going to be affordable, the only reason I could try Burger Week burgers is that prices were set at $5. One of the commenters on the Facebook announcement remarked on the fact that there were no restaurants east of 82nd on the list. [For out of towners, the area of Portland east of 82nd Avenue is where most of the recent Asian immigration has moved to.] At first, I resisted that critique, because its clearly an effort to support a fine dining scene, and it just doesn’t bother me that restaurants in a certain cost range, fanciness, and food aesthetic were selected to participate. At the same time, I thought about how the cruelty of this kind of appropriation is that the white majority sees a subcultural product/object/tradition/design, copies its most superficial aspects in a game of cultural telephone, then siphons away the profits from that subculture. But then I was thinking that a) the idea that any one culture could own a food form like the dumpling is ludicrous. b) the dumplings are just not the same. I understand wanting to identify with the romanticized family restaurant that’s making grandma’s dumplings and nobody cares and the big bad white haute cuisine restaurant across the river makes the same thing and everybody goes apeshit. But that’s not reality. The reality is that those restaurants have completely different ways of communicating about food, sourcing ingredients, presentation, restaurant design, and pretending like all that stuff isn’t important or meaningful is silly. Nevertheless, I’ve been thinking about it all day and don’t feel like I have an “answer.”

Speaking of race and culture, I was hit with two very interesting pieces that dealt with race and classical music in a way that made my soul hurt a little bit. The first was an essay on Wagner and anti-Semitism. I’ve never liked Wagner, there’s plenty of other composers to listen to, I find most of his aesthetic very creepy, and there’s something about his arrogance at claiming that all people must love his music that makes me resist it. Anyway, the choice that the essay tries to force is: either you believe that abstract music, just sound, has the ability to convey a spiritual message, in which case Wagner’s music itself, even that without words, is anti-semitic and abhorrent. Or, as much as we talk about why we love the music, music is incapable of carrying that kind of message and to speak of it as though it is is deceptive/cultish. Read it, if any of that sounds interesting. The second was a Jezebel post about a black woman that had a racist interaction with an older white patron at the Met during a production of Aida. The interaction, whatever. Racist, and shameful that she got no support from the ushers, but racist individuals can be rude anywhere. The part that broke my heart was that she is so completely right about the racist casting conventions of major opera houses. They are decades behind film and TV, neither of which are particularly good at imagination and casting or representation. The other thing that upset me is that if that happened to me, I would never go back.

Work was fine. I lost steam throughout the day, and by the end of the day I was completely burnt out from feeling sick. I got home and downloaded a bunch of new music to listen to, but mostly just dozed. Hopefully tomorrow isn’t too bad.

prufrock

despite staying out late last night, i woke up earlier than I needed to so that I had some time in the morning to relax before work. i am not a natural morning person, and changing habits has been so hard won that i never want to give my morning time, the time I take to have a coffee and browse the internet a little bit, back, for anything. i caught L for a little bit before work (these letter games are stupid, it just seems too familiar somehow to use people’s full names online), and we watched that episode of Friends with ross and rachael in the rain that i know from Pop Culture.

as soon as I got to work, i felt like Getting Shit Done and started working on the horrific art room storage area, which got fucked when we lost our storage room. it kind of felt like cleaning up someone else’s mess, but at the same time i really like organizing and tinkering with systems, and I’m clearly being productive so i feel entitled to listen to pop in headphones and immerse myself in music. i nerded out with J about frank zappa on sunday after listening last weekend, and i listened to an album of his he recommended, One Size Fits All. it was a great choice. at some point, i just tried to ignore what label i would put on it and just rolled with the silliness and the postmodernism of it (postcontemporary? eclecticism? what does it mean to be a magpie of every musical trend five years in the future, all of which hated each other? how can one track sound like talking heads, huey lewis, and weather report at the same time?). when that album finished, i metaphorically popped in Rilo Kiley’s The Execution of All Things. songy songs with lyrics and thoughts are not my first language, it’s taken a lot of training to even hear words at the same time as music, but the very first song on the album, “All the Good That Won’t Come Out” stopped me in my tracks.

like a lot of rilo kiley songs, it’s really straightforward and simple with a handful of really interesting musical details that makes you feel that the simplicity of the music is really craft. the beginning with the skittering drum machine, phasing guitar lines and languid words more spoken than sung, slightly behind the beat, have the deeply feeling of a 3am cigarette (the smoking might have stopped but i still think in smoking metaphors). The second line of the chorus, on “If we keep shaking them/standing here…” has the deeply unusual chord progression of tonic to minor leading tone to IV (G-f# minor-C in this song) which is perfect and delicious and breathtaking and achingly lonely harmony to me.

but its the lyrics of the second verse that really called to me:

I do this thing where i think i’m real sick
But i won’t go to the doctor to find out about it
‘Cause they make you stand real still in a real small place
As they chartup your insides and put them on display
They’d see all of it, all of me, all of it

All of the good that won’t come out of me
And all the stupid lies i hide behind
It’s such a big mistake, lying here in your warm embrace

i’ve still been hung up on how dumb it was for me not to go to the doctor, and how much it scares me that it’s something that my dad would do, and what that says about me. i’m not so worried about being in a real small place, but the feeling of drifting rather than sinking and not quite being in control of yourself—saying “i do this thing” as though you’re talking about someone else and the dumb thing they do—made me feel a little bit sad. the central image of the song, the “good that won’t come out” of herself and these people she’s singing about, was really affecting to me too. its almost like goodness is this poison, or this infection, and as long as it remains unexpressed in these people, it hurts them. i really identified with that. it also made me want to read for the first time in several years T.S. Eliot’s The Love Song of J Alfred Prufrock. 

son-of-man-1964(1).jpg!HD

Mrs. Dalloway had my annotating pencil chops sharpened and at the ready (I’m usually a gel pen absolutist, however I like annotating in with a pencil. I know that there is literally no one in the entire world that gives a shit about this, but I’ve switched to using a General’s Cedar Pointe #333 unfinished pencil that I stole found at work, and I love it.) and I was able to find a lot more meaning in it than the last time i read it. there are a tremendous amount of layers in it. when i was scouting out some of the common commentary about the poem after i finished, i was suprised how literally some people took the sexuality/virility/alienation from women stuff, as though the poem is an internal monologue on the way to deliver a proposal. that the whole thing could be the cri du boner of a straight dude with blue balls is tremendously uninteresting to me.

to me the most interesting thread in the poem is that “overwhelming question” that obsesses him: “Do I dare/Disturb the universe?” even if he wants to, he wonders, “…how should I begin?” and “would it have been worth it” if he succeeds and disturbs the universe in the wrong way? J’Alfred lets us into the loneliness and regret of his interiority, and he is crushed by the branching possibilities of action vs. inaction vs. wrong action until the “hundred visions and revisions/Before the taking of toast or tea” become complete stasis, any moment of action reversed in a minute.

it reminded me of this quotation from Marianne Williamson:

Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness that most frightens us. We ask ourselves, Who am I to be brilliant, gorgeous, talented, and fabulous? Actually, who are you not to be? You are a child of God. Your playing small does not serve the world. There is nothing enlightened about shrinking so that other people will not feel insecure around you. We are all meant to shine, as children do. We were born to make manifest the glory of God that is within us. It is not just in some of us; it is in everyone and as we let our own light shine, we unconsciously give others permission to do the same. As we are liberated from our own fear, our presence automatically liberates others.

my roommate all but rolled her eyes once i started reading it out loud, so perhaps it’s a cliché in the wider culture, and it probably says something about my immersion in more psychotherapy and self-help circles that it means so much to me. because it speaks very much to my present moment, where i feel weighted down by the extent to which i’ve spent a lot of time in the past couple of years trying to figure out how other people work, and not giving enough mindshare to figuring out how i work. or at least not giving enough thought to the idea that those two things—how other people work and how I work—might not be the same. to think myself special and find out that i am wrong is so deeply shameful to me and i don’t quite know why. whether i am “objectively” special or unusual or fringe or whatever is almost beside the point, it really bothers me that i have so lost touch with the part of me that does not qualify or hedge, that believes unshakably in my own godhood, that i can’t even hear it in my own head, where it should feel most safe.

i ache with prufrock, but unlike him—

No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince; no doubt, an easy tool,
Deferential, glad to be of use,
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous—
Almost, at times, the Fool.

—i still feel empowered to make myself the hero of my own story, to write my own ending. is that the tragic trap of the poem? are we all supposed to feel that and the cruel idea that animates the poem is that we are all wrong? at first i got discouraged because I figured that it might be it, but then I found one very interesting thing out:

Eliot was 26 when the poem was published (100 years ago, this June), and was 22 when he started it.

like half of the angst evaporated away once i found that out. Eliot didn’t have any fucking idea what his deathbed regrets were going to be like when he wrote the poem either. it’s a great poem, but he was also full of shit. genius!

played more legos with the kids today, helped one of our kids with autism set up some pokémon matches, which isn’t easy for him but i was proud of him for trying. dinner was a sad totinos. i was thinking about going out to a dance party at holocene, and was all set to part with some severely constrained cash to buy a new shirt to go out in, but i caught sight of my torso in the mirror and was so discouraged by the way I looked that it took away all of my momentum and motivation and I decided to drink some beers and write this novel and play some piano and keep going with Mrs. Dalloway. on the other hand, i was finally able to take a good look at the back of my head, which I worry about all the time because i’m a crazy person and worry about any aspect of myself that is as secretive as the back of my head, the most devious hiding place from my eyes. so i guess it was a wash.