On yesterday’s gay marriage rulings

My mom called yesterday morning, greeting me with a Good morning. I groaned something back.

 Oh, are you asleep? she asked.

 No, I lied, I was up to read the Supreme Court decision. That wasn’t a lie. I had woken up to read the papers, so dulled by sleep that I just stared at my phone in confusion for thirty seconds before realizing that there were about ten apps that would have the news and I just had to pick one.

 What was the decision about?

 Perry vs. Schwarzenegger, you know, the Prop 8 case. Basically DOMA is gone and gay marriage is legal in California again. She said something in response and we agreed to talk later. As I drifted back asleep, I was struck with how different things were now, nearly five years after the Prop 8 election results disrupted my complacency about the tolerance of my state and my country.

–––––––––––––––––––––––––––– ∆ –––––––––––––––––––––––––

In the summer of 2008, I was 18 years old, and excited to be voting in my first election. I was—and am—the type of person to be excited by an election. Like many, I was surprised that May when the California Supreme Court first legalized gay marriage in the state. In the year and a half since I had first come out to a close friend, I engaged in a dedicated program of independent study of how to be gay. That study, however, mostly consisted of a ravenous consumption of the past fifty years of gay cultural artifacts, and I was uninformed  about contemporary gay politics. The Court decision seemed a boon, and when the injunction against marriages followed and Prop 8 was put on the ballot, I barely noticed it. I assumed that the defeat of Prop 8 would be a formality, and California would assume its place as the great power of Western and liberal values and civil rights. That we had ceded such a place to the lesser states of Massachusetts and Iowa was an affront to state pride.

I was unforgivably complacent about that election. I vividly recall a long telephone conversation I had about the election with one of my high school teachers. I often talked about current events and politics with this teacher and, for a time, after leaving for college maintained the habit of calling him to shoot the breeze a couple of times a year. He was also, as I had come to understand, a deeply closeted gay man from three or four gay cultural generations previous to mine own (His present to me at my high school graduation—a DVD copy of the Merchant and Ivory adaptation of E.M. Forster’s Maurice—was an introduction to a lettered and more rarefied strain of gay culture than the Dan Savage columns and Queer as Folk episodes I had been pouring over). He kept insisting that the proposition would pass soundly. Even as opinion polls were showing a near even split in the state, he believed that people were afraid to express their prejudice to pollsters, but would behave differently in the voting booth. I insisted that it was impossible that such an initiative would pass in California—California!—of all places. I truly believed that while anti-gay prejudice was a significant force in other parts of the country, my state had, taken as a whole, grown out of that phase. I saw my teacher as a man scarred by the political fights of yesteryear, his memories blinding him to the new social reality. You’ll see in November, he said at the end of our conversation.

I saw.

It would take me a couple of years to read Randy Shilt’s And the Band Played On to learn that bureaucratic inaction can be the cruelest form of action, and that mass silence can equal mass death. It would take me a couple of years to read Eric Foner’s A Short History of Reconstruction to learn that civil liberties and the social protections of government can and have been taken away in this country. And it would take me a couple years of experiences of hearing the word faggot and becoming uncomfortable in and hyperaware of my surroundings, or hearing it shouted at me in the street, to learn that—like death in Arcadia—here, too, in one of the most liberal areas of the country, is prejudice.

––––––––––––––––––––––– ∆ –––––––––––––––––––––––––

I don’t know how many people have election rituals with their parents, but I have one with my mother. Every election, she fills out my absentee ballot for me while I’m on the phone, and we’ll usually talk through the ballot initiatives and candidates. She usually has more knowledge about local offices than I have, and I’m more willing to jump on the computer to research the statewide issues, and usually we vote the same way and for the same people. Sometimes, as with Prop 8 we differ. I don’t remember the specific content of my discussion with my mother. I do remember tiptoeing up to coming out to her and explaining that I had something of a personal stake in this issue, but never finding enough courage to say the words. Plus, the worst that could happen was that we would cancel each other’s votes out in an initiative fight that wasn’t going to pass anyway.

By the time the last California polls that night in November, the networks had all ready called the election for Obama and the atmosphere on campus was electric. An impromptu group of students were gleefully parading around campus playing will.i.am’s “Yes We Can” anthem with an unknowable admixture of irony and sincerity—or, if not sincerity, at least counter-irony. The memory I remember in most detail—noted for its subsequent entry into my personal Dorkiest Moments Hall of Shame—was inviting one of my friends to join me for a celebratory drink, just like a Big Man, leading both of us to uncomfortably sip straight citrus vodka from a plastic cup because I didn’t yet understand how alcohol worked. I also remember staying up into the early hours of Wednesday waiting for the full results for Prop 8 to come in. It was a couple hours after the networks and papers announced that it had passed when I finally accepted that the results of a few more precincts from Los Angeles County were not going to be enough to change the outcome.

Prop 8’s passage filled me with a deep sense of betrayal by my state and its voters, and also shame for myself and what I had not done. I knew that coming out to my mother would not have been a panacea. One vote wasn’t going to change the outcome of that election. But I knew that I didn’t just not come out to my mother, I didn’t post anything on Facebook, I didn’t make sure that people I knew voted, I didn’t email my relatives to come out to them and explain my position either. And it might be true that if I and everyone in my position had, maybe things would have been different.

I also understood immediately that I would be in for a long wait. As Ted Olsen and David Boies announced that they would be collaborating to bring a constitutional challenge to Prop 8, I waited. As, a few months later, Perry vs. Schwarzenegger was filed in California, I waited. As attorneys Olsen, Boies, Charles Cooper and Judge Vaughan Walker conducted what history will recognize as the trial of the century, I waited. As the 9th Circuit Court of Appeals upheld Walker’s decision, I waited. As the Supreme Court granted cert, I waited. As the Court conducted oral arguments last fall, I waited. Yesterday, that wait ended.

––––––––––––––––––– ∆ ––––––––––––––––––––

Prop 8 is dead. DOMA is dead. Code phrases like “not the marrying kind” or “confirmed bachelor” will lose their power, until some point in the future where those phrases will be identified with an note explaining their roots in pre-21st century prejudice against homosexual commitment ceremonies. And yet my joy in the political victory of my constituency and happiness for the people that this ruling will directly benefit is tempered by some feeling of ambivalence.

Some of my hesitation comes from a bad reason. This ruling is not very concrete for me yet. I don’t have a boyfriend, let alone one I would consider marrying. While this ruling has everything to do with the way that gays and lesbians are treated by civil society, marriage is a relationship entered in between one member of our community to another. Seen through that lens, this victory can seem like weak tea in the face of problems like employer and housing discrimination in the legal sphere, or simple prejudice in the social sphere in which we are directly asking those who disapprove of us for more tolerance—asking them to actively back down from their positions instead of leaving us alone while we marry each other. My hesitation also stems from a more nuanced understanding of how gay relationships have functioned outside of marriage, and the danger in trying obscure difference through shared conformities.

In this there is something unseemly: wedding boutiques expanding their offerings to cover same-sex weddings. Stores updating their gift registries. Jewelers advertising for his and his, and hers and hers. Articles about Washington, New York, and Los Angeles power couples consolidating their political and economic capital together. The faces of gay marriage, often wealthy white men, less often the not-wealthy, the nonwhite, the nonmen. Never all three. In all of this there is something unseemly. Gay men and women are being quickly assimilated into the iconography of this institution, and I cannot shake the sense that the community is trading something it doesn’t know the true value of for something it doesn’t need.

When I was first coming out to my friends, I kept the paranoia I developed in the closet about appearing “flaming,” or showing my interest in things that were “too gay.” Whenever I was confronted with any confrontational gay in news or media or life, be it the sissy, the queen, the activist, the sexual aggressor, I felt like I had to reassure my friends—but mostly myself—that I wasn’t going to be one of “those” gays. I was drawing a Chris Rock-like distinction between gay and faggot, and I didn’t want to be a faggot. In my mind’s eye, pictured my life as just like Straight Me’s life, just with shadowy figures of men instead of women. It took me longer to accept that Straight Me never existed, and therefore my life was going to look different from his. I recently came across Essex Hemphill’s poem “American Wedding,” written twenty-one years ago, which concludes:

 I vow to you.

I give you my heart,

a safe house.

I give you promises other than

milk, honey, liberty.

I assume you will always

be a free man with a dream.

In america,

place your ring

on my cock

where it belongs.

Long may we live

to free this dream.

Past me would have been threatened by the eroticism of the poem, with the radical subversion of ritual. Present me thinks fuck yeah.

I am reminded of the first act of The Godfather, Part II, where drunken paisano Frank Pentangeli makes a scene at little Anthony Corleone’s confirmation party on the shores of Lake Tahoe by demanding that the whitebread bandleader play some Sicilian songs. Frank’s outburst punctures the event’s veneer of Anglo gentility. Certainly not Michael Corleone, probably not Anthony either, but Anthony’s children will look at the Tahoe party not as a symbol of the family’s social achievement, but as a demeaning reminder of the extent toward which the family was required to change itself simply to keep the economic and social standing it already possessed. Or maybe they won’t even miss the songs they’ve never heard. Conditional acceptance is being permitted to enter the mainstream. True acceptance is changing the definition of mainstream.

–––––––––––––––––––––––  ∆ ––––––––––––––––––––––––––––––

I don’t want my reservations to obscure that I am very happy about yesterday’s rulings. Marriage is an invaluable institution to have access to, especially for couples with children. Even though I am nowhere near a marriage-level relationship—indeed, even if I never marry—this is a victory for me. DOMA was a sign of disrespect towards those gay couples who are married. Disrespect to those marriages is disrespect to the relationship the marriages encompassed. Disrespect to those to those relationships is disrespect to the type of relationship those couples have. Disrespect to the type of relationship is disrespect to those who want that type of relationship. Thus yesterday’s ruling was not just a victory for those in marriages a sign of respect for all of us who love like they love.

I’ve come to see the law as the shem in the mouth of the golem, both giving it power and power’s limits. Or as the lines in a pentagram, constraining the powerful demon within, the refinement of its shape reducing the possibility of escape or unintended action. Though I am always aware of the possibility of liberties being rolled back, I do also believe in the laws power, through precedent and time, to place certain incursions of liberty off the table. Yesterday’s ruling was one such precedent. It might be an incremental change, but in this small respect, the law has placed a part of my human dignity beyond debate. The hypocrite, the huckster, the two-bit fuckster, the douchebag, the crackpot, the fundie whackjob, all the bad actors that will someday take power, are forced to respect me in this small way. This is what makes me happy.

Frank Ocean – We All Try

A couple of hours ago, I got completely blindsided by my emotional reaction to a piece of news, gossip really. The R&B and Hip Hop blogosphere has been buzzing over a Tumblr post by Frank Ocean in which he, in poetry and elipses, comes out as gay or bisexual (the Tumblr post is a screenshot of a TextEdit window, click here for a more readable version). And I was immediately flooded with such happiness.

I think it’s really hard to get a read of what a person is like from their music. It’s so much easier to convey an attitude, a pose, to name your opposites. To really convey what your soul is like… that’s more difficult and is possibly too revealing, too open for some artists. But when Frank Ocean sings, “i still believe in man/a wise one asked me why/cause i just don’t believe we’re wicked /i know that we sin but i do believe we try” in “We All Try,” I completely believe him. And his enjoyment of life, in as-is condition, permeates his best songs* (We All Try, Strawberry Swing, Song for Women, Novacane).

*Caveat: based on his one record that I’ve listened to, nostalgia,ULTA.

He is also a capital-R Romantic. And that comes through in his post:

4 summers ago, I met somebody. I was 19 years old. He was too. WE spent that summer, and the summer after, together. Everyday almost. And on the days we were together, time would glide. Most of the day I’d see him, and his smile. I’d hear his conversation and his silence until it was time to sleep. Sleep I would often share with him. By the time I realized I was in love, it was malignant. It was hopeless. There was no escaping, no negotiation with the feeling. No choice. It was my first love, it changed my life.

and that too made me happy. Because as acceptance has grown, coming out has become increasingly a non-event, and you hear so many repeated ideas (I’m gay, but that’s only a part of who I am as a person; I’m proud, but don’t consider myself a spokesperson; I never really considered myself in the closet) that it’s really refreshing to see Frank Ocean cut right to the heart of what separates us: falling in love with a man.

I sometimes think about what a ridiculous idea it is, that people that share a sexual orientation are a community. I shouldn’t have anything in common with gay people than I have with brown eyed people, or 6’1″ tall people. But we’re linked together by our time and context, by other’s assumptions and by our journeys to know ourselves. So though I may have little else in common, Frank Ocean speaks for me too when he says:

Before writing this I’d told some people my story. I’m sure these people kept me alive, kept me safe. Sincerely. These are the folks I wanna thank from the floor of my heart. Everyone of you knows who you are. Great humans, probably angels. I don’t know what happens now, and that’s alright. I don’t have any secrets I need kept anymore… I feel like a free man.

Happy Independence Day, Frank.

 

Music and Moral Character

I was not a particularly diligent or present student in my freshman year Greek culture/literature/philosophy class. I don’t want to defend my own ignorance, but the abstraction of the philosophical texts always bored me. I was never so bored as when the philosophers turned to music. Greek philosophers were big on creating taxonomies of music, to reduce music to the level of science in which specific musical scales and rhythms produced a quantifiable effect in the listener. For example, this dialogue from Plato’s Republic:

And therefore, I said, Glaucon, musical training is a more potent instrument than any other, because rhythm and harmony find their way into the inward places of the sound, on which they mightily fasten, imparting grace, and making the soul of him who is rightly educated graceful, or of him who is ill-educated ungraceful: and also because he who has received this true education of the inner being will most shrewdly perceive omissions or faults in art and nature, and with a true taste, while he praises and rejoices over and receives into his soul the good, and becomes noble and good, he will justify blame and hate the bad, now in the days of his youth, even before he will recognize and salute the friend with whom his education has made him long familiar.

Yes, he said, I quite agree with you in thinking that it is for such reasons that they should be trained in music…

Even so, as I maintain, neither we nor the guardians, whom we say that we have to educate, can ever become musical until we and they know the essential forms of temperance, courage, liberality, magnanimity, and their kindred, as well as the contrary forms, in all their combinations, and can recognise then and their images wherever they are found, not slighting them either in small things or great, but believing them all to be within the sphere of one art and study.

I think if there is one consistent pattern that emerges at times of musical conflict, from the rise of polyphony in the 14th century to the popularization of jazz, rock and hip hop in the 20th, is that abstract discussion of the moral dimensions of music usually serve to reassure the status quo that they are good people because they listen to music that the status quo likes, and other people are bad people because they listen to music that the status quo dislikes.

Still, it’s hard for me to not be outraged on a moral level at the use of music to manipulate people in a context like this:

Once I get over the disgust I feel for the cruelty of this pastor, I start to notice everything else that’s fucked up about this video.

I’ve written before about how distasteful I find the Christian music industry, and Protestant “worship” music. And this must also resonate somewhat in the culture, because that piece, “Keith Green and the Commercialization of Christianity” is one of the most read posts on this blog, and I get traffic every week from people Googling “commercialization of Christianity.” This video shows that style of music at its worst–a cynical tool to increase the emotional stimulation of a group of teenagers.

As I wrote before, the emergence of “Contemporary Christian Music” in the 60’s and 70’s through figures like Keith Green, the Jesus People movement, and Maranatha! Music was a genuine attempt to try and praise god in the musical language of the culture. Although I am no longer a part of the church, I think that’s a fine and noble goal. Somehow in the past 50 years that has morphed into musically bankrupt and calculatedly manipulative aural wallpaper.

I know that this church does not give a fuck about my opinion, but I feel like it takes all the power away from the video for this just to be any church and this just any pastor in anyplace. The video is Pastor Damon Thompson at the Ramp in Hamilton, Alabama.

UPDATE: The first person account of someone who was there at that service.

Louis CK on Tracy Morgan

Unless you live under a rock, or have something better to do with your time, you’ve been reading the fallout over Tracy Morgan’s standup rant in which he joked that if his son was gay he would stab him. Morgan has apologized, and while I think what he said on stage was despicable and irredeemable, I think his apology was sincere. A dialogue between Morgan and Russel Simmons was released and the personal nature of his apology rings true and, while I’m sure that much of his contrition is driven by career considerations, I think he does regret stepping over the line. I was completely over this “controversy” until Louis CK, a comedian that I greatly respect and admire, decided to open his dumbfool mouth:

Gabe at Videogum has a pretty good response to how disingenuous this is, and how this is a way smaller issue than CK seems to think. I have a couple of thoughts to add:

First, I think it’s really hard for someone to advocate violence against other people and be funny. Now, I wasn’t there that night. Neither, by the way, was Louis C.K. So I think we have to be agnostic about whether Morgan’s rant was funny. We also need to keep in mind that there isn’t any audio or video of that night; all we have is a quasi-transcript that was posted on Facebook. Still, I think that there’s a difference between deriving humor from cultural taboos and stereotypes and reinforcing them. This has even been played out in the pop culture-sphere recently, in the form of Marc Maron’s aborted interview with the comedian Gallagher. Because Louis CK pushes these buttons, toes these lines in his own stand up, and is very articulate about his decisions, his defense of Tracy Morgan comes off as disingenuous.

The second thing I wanted to mention is that I find it really annoying how the “fuck ’em if they can’t take a joke” can lead to a self-righteous attitude about audience feedback. It’s such a lazy out to just put all responsibility on the audience, to say that if they aren’t going along with your routine that it’s because they can’t take a joke. I don’t think any topic or group is off limits to comedians, but I do feel that every comedian is responsible for how they get their laughs. One of the reasons that I appreciate CK’s comedy is that I feel like he has such confidence in his material, that he believes so strongly that he is funny and on the right side of the line, that he would perform his stand up in front of any kind of crowd. I can’t imagine that Morgan would perform that routine in front of a roomful of gay people. Just because a joke kills in front of an audience doesn’t mean that it’s a vile piece of shit.