B.o.B. The Adventures of Bobby Ray

  • B.o.B  B.o.B Presents: The Adventures of Bobby Ray Atlantic Records, April 27, 2010
  • This album is for: People who like the Kanye dominated style of pop/hip-hop/rap. People at a party looking to have a good time. People who want unobtrusive upbeat anthems for driving around with. Christian youth group leaders who want to show that they listen to cool music too (clean version only).
  • This album is not for: People who dislike rap and hip-hop’s assimilation into the pop machine. People looking for more challenging music than a feel-good sing-along. Anybody who hates any of the numerous guest stars on the album.
  • Key tracks: “Airplanes”  “The Kids”

Ignore the album cover, ignore the guest producers, ignore the guest artists. This is a big, shiny pop record. There’s still a big studio sound that marks big budget productions, and it’s here in abundance. This is an album built of hooks, and all of them are catchy as fuck.

I’m not saying any of this as if it’s a bad thing. There’s a place for these albums: upbeat, polished, and scientifically engineered to make you have a good time listening to it.

Cool Art Show

Cool Hunting has news about “Art from the New World,” an exhibition of works by American street, pop, and fine artists. I’ve never heard of the people mentioned, but based on the images on the page, I think I’ll have to check it out.

Gay Actors Playing Straight

About a month ago, Newsweek ran an article by Ramin Setoodeh with the tagline, “Heterosexual actors play gay all the time. Why doesn’t it work in reverse?” This could have been an article about why there is an acceptance of straight actors playing gay, yet it is relatively rare for gay actors to play straight. Instead, it contained things like this:

But frankly, it’s weird seeing [Sean] Hayes play straight. He comes off as wooden and insincere, like he’s trying to hide something, which of course he is. Even the play’s most hilarious scene, when Chuck tries to pick up a drunk woman at a bar, devolves into unintentional camp. Is it funny because of all the ’60s-era one-liners, or because the woman is so drunk (and clueless) that she agrees to go home with a guy we all know is gay?

Sean Hayes’ co-star Kristen Chenoweth fired back at Newsweek with a letter that accuses both the writer and the magazine of being homophobic. Then Setoodeh responded himself, saying that he was openly gay and not terribly homophobic. He writes:

But what all this scrutiny seemed to miss was my essay’s point: if an actor of the stature of George Clooney came out of the closet today, would we still accept him as a heterosexual leading man? It’s hard to say, because no actor like that exists. I meant to open a debate—why is that? And what does it say about our notions about sexuality? For all the talk about progress in the gay community in Hollywood, has enough really changed? The answer seems obvious to me: no, it has not.

I think this debate is a valid one, but aimed at the wrong prejudices in our society. I think what it comes down to is that we have not had public gay relationships, or the freedom to be open, long enough for a masculine identity that is separate from sexual orientation. The prevailing view in our society is that gay attraction is a “feminine” attribute, that the simple fact of orientation prevents gay men from being “real men.” That is not true. Most people can tell you that there is a range of masculinity and femininity in gay men, but there’s also a range in straight men. There are straight actors that no one would accept as a leading man because they don’t project the same kind of masculinity, and the same is true for gays.

By the way, the photo is of Marlon Brando, a bisexual (NSFW) man that oozed masculinity. Nobody told him gay couldn’t play straight.

Memes

The Washington Post recently did a thing where they asked 12 people what they would “throw out” –things that didn’t need to be a part of the world any more. Joe Randazzo, editor of The Onion, contributed the answer “internet memes:”

What used to be an amusing byproduct of Internet use has mutated into something horrible: an insatiable parasite that impairs its host’s judgment, rendering it totally useless. Instead of acting as an organic cultural touchstone, the modern meme — from LOL, which hasn’t been used to signify physical laughter since 1997, to Lolcats — now sucks the joy out of our interconnectedness. It destroys uniqueness. Once an “enjoyable thing” becomes a “meme,” we stop enjoying the thing for its own sake, but consume and regurgitate our enjoyment of it as a symbol of hipness, as if to say: “I am aware of this thing’s popularity — therefore I, too, exist!”

I wish I had been able to articulate this thought when I was struggling with it a little over a year ago. What I was expressing then, but could not articulate, was a deep dissatisfaction with the emergence of music-as-meme. In this upside down world, knowing of something becomes equal to experiencing something. Depth is discouraged for breadth. Artists are crowned as kings, then discarded a week later.

It’s become an incredible power to want something . It’s become uncommon to have an aesthetic.

[This is the first time that I get to use the category “Memology” for something approximating it’s logical meaning.]

Incredible Blog Shrinking Ray!

In my ongoing quest for high quality internet content, I have decided to spin some of the content in this blog to another one.

The Mouth of the Beast will remain a place for, such as I can provide it, high quality criticism of movies, books, television, and music. My new blog, www.meilarpdx.wordpress.com, is for personal blogging. I think this will allow me more freedom and control over things that matter to and affect me personally, while also increasing the value of MOTB.

In only-slightly-related news, I’ve returned to active use of twitter, so please follow me @backjabber2.