rationality

Joshua Rothman writes about rationality in The New Yorker, and various recent bestsellers written about the concept. He makes reference to the Tyler Cowan/Less Wrong/Effective Altruism circles, surveys the way that different social science disciplines think about it, and explores the value a good rational friend can have on your decision making.

I often feel pulled toward these web communities. I love exploring ideas with people who get excited by ideas, and by people who share my attitude that many things are knowable, and the only reason to give up on curiosity is when you discover exactly what is still unknown. Unfortunately, these communities also frequently have blind spots around race and gender that end up pushing me away, and I was disappointed to not find anything in this article that touched on those issues.

One of the disciplines championed by these intellectual internet communities is spotting cognitive biases and putting our on ideas to the test. They struggle to recognize and respond to this pattern: the more an internet community values rational argument, debate, an “anything goes” intellectual freedom, and an appeal to “honor” to mediate interpersonal conflict, the more its social hierarchy looks like a white supremacist heteropatriarchy.

One could imagine that on the internet, considering its global reach and English’s status as a global lingua franca, if you create a community centered around the value of rational intellectual discourse, you would bring together the members of myriad groups of people that are most interested in that value. Earlier in the history of the internet, when access required computer equipment that cost hundreds or thousands of dollars, perhaps you could believe that the demographics skewed white and male because that’s who had access, and diversity would come as more people gained access to the network. That’s not an excuse any more, and it hasn’t been for a couple decades. 

Here’s my two cents: in my time on the internet, I’ve seen many communities fracture when some part of its membership brings a social inequality present in the community to light. There’s a little dance the defenders do, some mixture of these steps. The pushback goes like this:

  • There’s no inequality.
  • All right, here’s the unbiased, pragmatic reason why there’s inequality, it has nothing to do with prejudice.
  • OK, sure we have prejudice but who doesn’t? It doesn’t have anything to do with the core mission of this community.
  • So, it seems like this bias has always been deeply intertwined with the foundational history of this community, but isn’t this all a distraction?.
  • Why are you trying to destroy this community?

Anybody from a group that experiences discrimination is well familiar with this pattern, and if you are a highly educated knowledge worker from such a group you deal with this shit all the time and are not seeking it out for fun. There are spaces on the internet that have done social engineering to disempower the default to white straight male experience. I like the Metafilter comments sections and Learned League, and Andy Baio and the XOXO team developed a lot of good ideas for facing these dynamics head on and being willing to experiment with fundamental assumptions

I’m still looking for that great space, though. For every narrow, well moderated group I come across, there are many others that make room for social reactionaries. If you’ve found a community you like, I’d love to hear about it. 

Revisiting Community

The last time I wrote about NBC’s Community, I was deeply ambivalent. It was a little to shiny and cutesy for me. Since then, I’ve become a semi-regular watcher, but once again, I think I’m going to stop watching the show.

One of the things that pisses me off is the free pass that the show seems to get from TV critics about the show’s racial humor. I think this pass is a result of two things, the fairly ( and depressingly uncommon) diverse and integrated cast, and the fact that every once in a while, the show has extremely witty race-based humor (see the clip above). For example, read this fawning passage from Todd VanDerWerff at the AV Club:

Community‘s about a lot of things, really, but one of the things it keeps buried until it’s useful to trot it out thematically is the fear of getting old. I mean, just aside from the fact that the show has an elderly guy and a middle-aged black woman as characters and actually takes them seriously beyond the stereotypes other shows would reduce them to, …

…As much as everyone loves the supporting characters on the show, Jeff and Britta are its heart, with Annie and Troy as reminders of who they were, Pierce and Shirley as ideas of who they might become, and Abed as the odd man out, observing and always commenting.

The thing is, I’m not convinced that the show takes these characters beyond stereotypes at all. Alyssa Rosenberg blogged about this in relation to Glee a few days ago:

I love, love Amber Riley, and I love Mercedes as a character who can declare “I’m worried about showing too much skin and causing a sex riot,” as an explanation for why she refuses to wear a cheerleading skirt, and I hate that the inevitable end consequence of having a big, sassy black girl is a story about eating disorders and a rainbow of high school students singing Christina Aguilera’s most saccharine song.  Why can’t she just be fabulous without consequence? Why can’t she have a boyfriend? Why are the show’s best, tartest couple reduced to sidekicks?  Why does the gay kid have to be semi-pathetic and clueless?

What this comes down to is that there is still work to be done, still decisions to be made once the casting is done. Both Glee and Community would have you believe that they are poking fun at the “sassy black woman” stereotype. But the shows never made that transition to treating their characters beyond stereotype, and so end up reinforcing them.

The Good, The Bad, and the Meh: Three New Shows

I’ve been down with a nasty cold this weekend, so I’ve had some time to devour large amounts of television. In the past, The Office and LOST have been my weekly television mainstays, but LOST is in it’s final season, and I’ve completely stopped caring about The Office, so I’ve been looking for things to get into. Here are my thoughts on three shows that are in their first season:

Community

I know people with good taste that like this show. I don’t. In theory, I don’t mind a show that derives most of it’s comedy from ensemble interactions and ceaseless pop-culture references. My problem with the show is that it tries to be a fast moving, zany comedy, but it often has a problem with maintaining a consistent pace. In every episode that I’ve watched, there have been incredibly funny individual moments, but very few episodes maintain that level of comedy (in a case of bad timing [for me], the most recent episode, “Physical Education” does maintain that pace, and is a very good half-hour of television).

I think the ensemble is strong, and I can appreciate that there are things to like about it, but I probably won’t watch it unless there’s a really good review from the AV Club.

United States of Tara

I’m not actually sure what the critical consensus is on this show. I wasn’t really aware of it, and I only checked it out because I was interested in watching a Diablo Cody-penned TV show. Fittingly, I am incredibly divided about whether I like this show.

Lets talk about the good things: This show has an incredible ensemble. The nature of Tara’s mental illness is that she is at home most of the time. This means that a lot of the drama is powered by the family. John Corbett plays Tara’s husband, and he’s doing better work on this show than I thought him capable of. Brie Larson is very good (although not plausibly 15) and I’ll probably watch the second season for Kier Gilchrist. Even though multiple personality disorder sounds like the zany mental illness you might find on a television show, the dramatic strength of these actors reach a real place.

Toni Collette is very good. She’s just not this good (and I don’t think that there is a single actor or actress that could pull this concept off). The “alters” –the other personalities that she exhibits– are really annoying to watch for long periods of time, and the show hasn’t spent much time establishing Tara’s character as anything but a “normal” foil for her wacky and zany alters. There are two problems here:

1. I’m not sure that Diablo Cody and company want to make any grand dramatic statements about mental illness, but it seems like the show is taking it seriously. Some set pieces in the show are confessional-style video diaries from Tara and her alters, as well as visits to Tara’s therapist and scenes in a mental institution. At the same time, the alters, and especially the way that they are differentiated from “normal” Tara through costume and accent give the show a tacky, cheap, sketch-comedy feel which undercuts moments of sincere drama.

2. This is a structural problem as well. Unfortunately, the engine that drives the drama on this show has been revelations and betrayals on the part of one of the alters. They have written themselves into a corner; there is no way to keep up the drama while quietly retiring the original premise of Toni Collette portraying 5 characters.

Like I said, I’ll probably watch this when the second season starts at the end of the month, but it probably won’t be an essential part of my week.

Caprica

Caprica is a show that’s become an essential part of my TV week. I could never get into Battlestar Galactica (although I think I might try and watch it over the summer), but this show hits all of my buttons. I like shows with ambition, but that don’t take themselves too seriously, and everything about this show is well thought out and stylish. I think I might try and recap the episodes after they become available on Hulu this season.